OXFORD REVIEW 
of BOOKS

EILEEN YING - Andrea Abi-Karam rises up against 'big daddy mainframe'.

CLAIRE ION - Construing the self as fluid.

ANNABEL JACKSON - Why is flash fiction the new vogue in literature?

by Helen Dallas Our Country's Good Timberlake Wertenbaker, 1988 The Playmaker Thomas Keneally, Hodder & Stoughton, 1987 In 1789, convicts...

YAGNISHSING DAWOOR - Is greater visibility always a good thing?

ANNA WINHAM - Diving down the rabbit hole of evangelical Youtube.

EMILY DYSON - If liberal and radical feminists were right that men won't save us, the state and market will not save us either.

ELEANOR HALLESY - The Right to Sex wants to inhabit the ‘uncomfortable, unsafe politics’ of the truly inclusionary.

Why do we continue to depend on 20th century language of dystopia today?

GAIA CLARK NEVOLA - Humans and the Bête Machine

ALEX CHASTEEN - Examining the undercurrents of female violence in Gothic fiction and domestic realism.

ANANYA AGUSTIN MALHOTRA - Putting minds back into bodies and keeping the body in mind

Our writers review this year's novels shortlisted for the Women's Prize for Fiction

GIANNI DI FALCO - Squid's debut album refuses to separate the personal and the political

THOMAS CLARK - A reflection on our everyday moments of sanity

RITA MAY - Angel's latest book explores the limits of sexual consent and what it means for sex to be 'good' today.

MICHAEL ROWAND - Yaffa’s new study of Russia’s cyberwarfare finds trade-offs in Putin’s political regime.

ANNABEL ROGERS - Taylor intertwines connection and disconnection with a sense of disgust...

JULES DESAI - Negarestani's philosophy of negative portraiture sheds light on the Nobel Prize-Winner Kazuo Ishiguro's latest novel.

ALEXANDRA PUGH - Both An Apartment and King Kong Theory stage various forms of border crossing...